showing 100 of 118 results matching medium:"Monotype". (load 18 more)

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portrait of a balding man with dark hair and mustache; wearing a dark cloak with a high collar and white trim; shadowed background

%C2%A9 Peri Schwartz

From Velasquez #9, 2014

Peri Schwartz; Artist: After Diego Rodriguez Velazquez

Not on View
abstract image; four vertical rectangles, from left: rust red, mottled yellow, black and grey-orange horizontal stripes, rust red

%C2%A9 Sean Scully %2F Artists Rights Society %28ARS%29%2C NY %2F IVARO%2C Ireland

Santa Barbara 22, 1987

Sean Scully; Printer: Garner Tullis Workshop, Santa Barbara, Calif.

Not on View
woman wearing brown blouse and long blue skirt standing before a window; grey walls; colorful object at right edge

%C2%A9 Richard Segalman

West 11th Street, 2005

Richard Segalman

Not on View

%C2%A9 T. L. Solien

The Tongue, 1983

T.L. Solien

Not on View
nude woman with brown hair reclining on a couch with a white sheet over it; painterly style

Nude, 1934

Carl Oscar Borg

Not on View
Image of three pink tulips on a back ground; image is printed on the top half of the sheet

%C2%A9 Miklos Pogany

Three Doveman Tulips from Tropides Islands, 1981

Miklos Pogany

Not on View
Black and white image of a forested area; horizontal fallen tree with thick dark trunk and branches layered over the top of the log in center; thin, layered gradated leaves throughout.

Copyright %C2%A9 Michael Kareken%2C published by Highpoint Editions

Lake Quinalt Deadfall II, 2018

Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Black-and-white image of a forested area; gradated trees against a white sky; two darker branches in center right edge; single dark, twisting branch in LLQ, extending upwards into URQ.

Copyright %C2%A9 Michael Kareken%2C published by Highpoint Editions

Humphrey Head IV, 2018

Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 1982 Marcia Scanlon

Lispenard Street, 1982

Marcia Scanlon

Not on View

%C2%A9 1984 Marcia Scanlon

Brownsville I, 1984

Marcia Scanlon

Not on View
abstract image; squared-off, sideways u shape in yellow, with black at L; red-orange horizontal band at top; blue, black, green, grey in solid lines at L, R and bottom edges

%C2%A9 Beverly Pepper. Marlborough Gallery. All rights reserved.

Untitled, c. 1960s

Beverly Pepper

Not on View

Copyright %C2%A9 Michael Kareken%2C published by Highpoint Editions

Tree Near Second Beach II, 2018

Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 Scott Sandell

Untitled, 1978

Scott Sandell

Not on View
Watercolor monotype drawn by the artist on Denril and transferred to Arches 88 paper.

Copyright %C2%A9 Brad Kahlhamer%2C published by Highpoint Editions

HAWK + HAWK + HAWK + HAWK + HAWK, 2019

Brad Kahlhamer; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
image of the torso and head of a figure in multicolored pigments; yellow and blue in head area; red torso with crossing bands on R and L, that merge horizontally in the C; thick bands in forest green pigment on R and L; dripping pigment in rainbow colors at bottom; white background; floating mount, with light wood frame

Okawara Samurai, 1993

Paul Jenkins; Printer: Smith Andersen Editions, Palo Alto, California; Publisher: Smith Andersen Editions, Palo Alto, California

Not on View

%C2%A9 1986 Marcia Scanlon

Lake of the Isles, 1986

Marcia Scanlon

Not on View
Triptych

%C2%A9 1985 Marcia Scanlon

Delphi II, 1985

Marcia Scanlon

Not on View

%C2%A9 Duncan Hannah%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Jump Rope (Crimson), 1990

Duncan Hannah; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Joel Janowitz

Darkening, 2000

Joel Janowitz

Not on View

%C2%A9 Debrah Pearson-Feinn

Beach Play (Portrait of Peter Beard), 1983

Debrah Pearson-Feinn

Not on View

%C2%A9 1983 Marcia Scanlon

Pine Hill, 1983

Marcia Scanlon

Not on View

%C2%A9 Mary Pat Opatz Herges

Untitled, 1987

Mary Pat Opatz Herges

Not on View

%C2%A9 Nancy Randall

The Issue is Constraint, 1984

Nancy Randall

Not on View

%C2%A9 Nancy Randall

The Book of Ruins: Do Without Doing and Everything Gets Done, 1984

Nancy Randall

Not on View
image divided into four quadrants; UL: black and pink circular forms predominate with green and red streaks; LL: light green and black curves with red and darker green streaks; UR: black and peach circular with red and green streaks; LR: orange circular forms on brown background

%C2%A9 Marylyn Dintenfass

Acanthus XXVI, 2003

Marylyn Dintenfass

Not on View
mottled black, brown, red background with mottled blue and black irregular bubble-like shapes of various sizes

%C2%A9 Marylyn Dintenfass

Nonpareil #1, 2003

Marylyn Dintenfass

Not on View

Beach Scene, 20th century

Gustav Goetsch

Not on View
One of a series of montypes Solien produced at Vermillion Editions between 1982 and 1985

%C2%A9 T. L. Solien

Monitor, 1985

T.L. Solien

Not on View

%C2%A9 T. L. Solien

For the Children of Crepy-en-Valois, 1982

T.L. Solien

Not on View

%C2%A9 1982 Marcia Scanlon

Prague Convent, 1982

Marcia Scanlon

Not on View

%C2%A9 1971 Tom Holland %2F Bridgeman Copyright

Still Life #15, 1986

Tom Holland

Not on View
recto: abstracted face with washes of color--red, purple, grey and black; verso: abstracted face formed by white space between flat areas of khaki; some smudgy colors from recto around edges

%C2%A9 2016 Estate of Mark Tobey %2F Artists Rights Society %28ARS%29%2C New York

Portrait Head (recto and verso), 1961

Mark Tobey

Not on View
horizontal rows of glass jars and bottles with black lids filled with bright red, green, orange and yellow fluid, on top of a reflective surface; black rimmed white rectangle behind glassware

%C2%A9 Peri Schwartz

Bottles & Jars 18c, 2015

Peri Schwartz

Not on View

%C2%A9 Martha Diamond

Untitled, 1985

Martha Diamond; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Standing figure of a faun set in a flowering garden

%C2%A9 Gwendolyn Knight %2F Courtesy Francine Seders Gallery Ltd.

Afternoon of a Faun, 1994

Gwendolyn Knight

Not on View

%C2%A9 1983 Marcia Scanlon

Pine Hill, 1983

Marcia Scanlon

Not on View

%C2%A9 Bruce A. Anderson

Untitled, 1983

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Chamberlain

Composition for String Quartet, Opus 4, 1993

David Chamberlain

Not on View

%C2%A9 Bruce A. Anderson

Untitled, 1983

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Kn Thurlbeck

Untitled, 1985

Kn Thurlbeck

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Three Apples and Plate, 1914-1915

Henri Matisse

Not on View

%C2%A9 1986 Marcia Scanlon

Lake of the Isles, 1986

Marcia Scanlon

Not on View
two images of a reclining female nude; upper image white on black; PL leg bent under and PR leg knee up; head to right edge; lower image red nude with hair spilling over marked left edge of image frame; black piraminds upper right; shadow of bird in flight lower right

%C2%A9 Mary Frank%2C Courtesy of DC Moore Gallery%2C New York

Persephone, 1986

Mary Frank

Not on View

%C2%A9 1982 Marcia Scanlon

Lispenard Street, 1982

Marcia Scanlon

Not on View

%C2%A9 1985 Marcia Scanlon

The Calf Bearer I, 1985

Marcia Scanlon

Not on View

Marine, 19th century

Charles Storm van's Gravesande

Not on View

Untitled (Brushes), 1974

Michael Mazur

Not on View

Andromède, c. 1923

Raphaël Drouart

Not on View

Head of Man, 1921-1967

Bernard Sanders

Not on View

Young Woman, 1921-1967

Bernard Sanders

Not on View
Multiple monotyped elements using oil based inks collaged with wheat starch onto a monotyped background using oil based inks.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled (Targets #2), 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Monotype using oil based inks.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Uncle Sam #1, 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 Nicolas Africano

Smoke and Knife, 1987

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Scott Sandell

Untitled, 1979

Scott Sandell

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) - From, 1983

Steven Sorman

Not on View

%C2%A9 Joel Janowitz

Beached Rowboat (D/E), 1991

Joel Janowitz

Not on View
Most of the prints are identified by large narrative text (see below) Plate 1. "HONEY MAKE/SURE YOU/PULL OUT/IN TIME../I'M NOT SAFE." Plate 2. "BLESS ME FATHER/FOR I HAVE SINNED/IT HAS BEEN/TWO WEEKS SINCE/MY LAST/CONFESSION. /SINCE THAT TIME/I HAVE ABUSED MYSELF 6 TIMES" Plate 3. "PLEASE DON'T/TELL MY/FAMILY. /I DIDN'T KNOW/WHY I DID IT." Plate 4. "I'D RATHER/DIE THAN HAVE/IT CUT OUT. /I WON'T/SIGN ANYTHING." Plate 5. "NOBODY/PAYS/ANY/ATTENTION/TO/WHAT/I/SAY." Plate 6. (No text; blank) Plate 7. (No text; blank) Plate 8. Side profile of a police officer pointing a gun (proof in black; no text) Plate 9. Side profile of a police officer pointing a gun (proof in red; no text)

%C2%A9 Steven Beyer

Studies for "Dissolution", 1981

Steven Beyer

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Gary Bower

Black Vase with Javelin Thrower, 1985

Gary Bower

Not on View

The Brook, 1926

George Overby "Pop" Hart

Not on View

%C2%A9 Nicolas Africano

The Marriage, 1986

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Scott Sandell

Untitled, 1978

Scott Sandell

Not on View

%C2%A9 T. L. Solien

The Fall, 1984

T.L. Solien

Not on View
Monoprint combining five color bleed printed lithographically using split­fount inking from three plates on okawara paper and monotyping by the artist. The print was then adhered to the Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XII -XII/XII. Number XI/XII image size is 39 1/2 x 20 in. and the backing sheet is 43 x 23 in.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Scroll (X), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color bleed print from one lithographic plate and monotyping by the artist. The print was then adhered to the Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XIII–XIII/XIII.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Away (XI), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color bleed print from one lithographic plate and monotyping by the artist. The print was then adhered to the Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XIV–XIV/XIV.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Lone (VIII), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Monoprint combining five colors bleed printed lithographically using split­fount inking from three plates on okawara paper and monotyping by the artist. The print was then adhered to the Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XII -XII/XII.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Scroll (VII), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color bleed print from one lithographic plate and monotyping by the artist. The print was then adhered to the Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XIV–XIV /XIV.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Pack (XI), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color bleed print from one lithographic plate and monotyping by the artist. The print was then adhered to Arches Cover backing sheet. Being a variant edition, the prints were signed with Roman numerals I/XV–XV /XV.

Copyright %C2%A9 Joel Janowitz%2C published by Highpoint Editions

Approach (VII), 2005

Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
sketch of a bird's head with beak open, in black and white; yellow, red, purple, orange ground with various sizes of text from ads for consumer products; text in LRC: "WOOLWORTH'S Golden Value DAYS"

%C2%A9 Neal Ambrose-Smith

Wake Up and Get to the Sale, 2010

Neal Ambrose-Smith

Not on View
woman with long hair wearing a long gown, with her arms outstretched, seated on a cloth swing (?), with a winged figured seen from back behind her; painterly style

Untitled [Ascension, or demonic figure?], early 20th century

Italy

Not on View
simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background

%C2%A9 Milton Avery Trust %2F Artists Rights Society %28ARS%29%2C New York

Rooster, 1950

Milton Avery

Not on View

%C2%A9 T. L. Solien

Only He Can Wield That Deadly Stroke, 1988

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- Against, 1983

Steven Sorman

Not on View

%C2%A9 1982 Steven Sorman

Practice Steps and Real Walking, 1982

Steven Sorman

Not on View

%C2%A9 1982 Steven Sorman

Going Back to Look in the Mirror, 1982

Steven Sorman

Not on View

%C2%A9 1988 Sabina Ott

New Science / Landscape, 1988

Sabina Ott; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
sketch of ghostly or zombie rabbit walking upright, with human hands in gloves, wearing a robe-like garment, walking toward right, with PL hand held up to teeth; hand-written text on back of rabbit's garment with thick curving scribbled lines over text and lower front of garment; repeated image in different sizes, printed in black of shaded purple-black, of cartoonish image of smiling man wearing a hood with rabbit ears with "ROO" over top of ears; embossed lines of text throughout, including "render unto Caesar" in bottom margin

%C2%A9 Neal Ambrose-Smith

Render Unto Caesar, 2015

Neal Ambrose-Smith

Not on View
Monotype, relief printing, and collage using oil-based inks. Cream-colored paper with six white strips of tape adhered forming five horizontal sections; large block uppercase letters printed on plastic tabs in yellow and red ink, reading "THE END IS AT HAND AGAIN"; two columns on right and left edges lined with six stars in black ink, printed on plastic tabs.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

The End, 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 1982 Steven Sorman

The Letter From Matisse, 1982

Steven Sorman

Not on View

%C2%A9 Ren%C3%A9e Stout

To Sleep with Anger, 1998

Renée Stout; Printer: Derriere L'Etoile Studios, New York; Publisher: Zanatta Editions, Shawnee, Kansas

Not on View
Musician playing a violin

%C2%A9 1988 Sabina Ott

Violin, 1988

Sabina Ott; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- By, 1983

Steven Sorman

Not on View

%C2%A9 Steven Kramer

You Gotta Have Your Tips on Fire, 1985

Steve Kramer; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Steven Kramer

You Never Know Who Has Your Memory in Your Drinks, 1985

Steve Kramer; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Siegfried, 1994

Christopher Le Brun

Not on View

Greenhouse Space/ Fresh Air, 2002

Joel Janowitz

Not on View

Glow, 2003

Joel Janowitz

Not on View

Ohm I, 2002

Kirsten Stolle

Not on View

Dirty Dish I, 1978

Joseph Goldyne

Not on View

Crossing, 2001

Steven Swanson

Not on View
collage-like image with printed text at top including, "EVEN ZOMBIES NEED A LITTLE ROMANCE" in red; Starship Enterprise at center, with red and green elements that can be viewed with 3-D glasses; arm and hand in yellow in LRQ; part of a feathered Native American headdress, URC; head and shoulders of a cartoon woman wearing a low-cut yellow blouse at left below center; blue swirling forms in background

%C2%A9 Neal Ambrose-Smith

Zombies Need Romance, 2012

Neal Ambrose-Smith

Not on View

%C2%A9 1983 Steven Sorman

Each (Other ) -- To, 1983

Steven Sorman

Not on View
S-shaped path in an abstracted landscape; greens; pinks in foreground, LLQ; rust-oranges in spots scattered throughout; pinkish-orange sky

Winding River, 1890

Edgar Degas

Not on View
image of a woman with dark hair pulled back, wearing a green dress; holding a standing child in her arms; child is wearing a pale green smock; blue background

Mother and Child, 1894

Mary Cassatt

Not on View
heads and shoulders of two women wearing large hats; women have small, pinched faces; grey and black on white

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F VG BILD-KUNST%2C Bonn

Zwei Dirnen (Two Prostitutes), 1908

Max Pechstein

Not on View

%C2%A9 Nicolas Africano

Flesh, Armor, Laughing Man, 1986

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Nebuchadnezzar, 1795

William Blake

Not on View

Ludovic Halévy Finds Mademoiselle Cardinal in the Dressing Room, c. 1880–1883

Edgar Degas

Not on View

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